About
Reviews
Reviews
"...a symphonic triumph, combining lovely slower melodies with periods of frenetic soloist virtuosity to demonstrate her mastery of the violin. The large audience was entranced."
- Wanaka Sun
"...sonic fireworks that dazzled with all their brilliance..."
- The Guardian
"Irons' playing was well controlled, lyrical and perfectly sustained."
- Christchurch Mail
"...a symphonic triumph, combining lovely slower melodies with periods of frenetic soloist virtuosity to demonstrate her mastery of the violin. The large audience was entranced."
- Wanaka Sun
"...sonic fireworks that dazzled with all their brilliance..."
- The Guardian
"Irons' playing was well controlled, lyrical and perfectly sustained."
- Christchurch Mail
Biography
Biography
A founding member of the Tres Cordes String Trio, Cathy has toured for Chamber Music NZ and was invited to and performed in the Deia International Festival in Mallorca, Spain. Another string to her bow is her cross-over playing with the Classical Jazz Quartet.
Cathy enjoys collaborating with musicians, artists, dancers and composers; recent multi-genre performances include Labyrinth in the Library, CSO Studio Series: Journeying Inward and the Creative Stage. She has performed and/or recorded with Cliff Richard, Aled Jones, Brooke Fraser, Craig Smith and Amiria Grenell. Her eclectic range of skills and personal warmth resonates with the people she interacts with which has led her to sharing her music in many different environments.
Cathy is the Engagement Artist for Chamber Music New Zealand. She has worked alongside participants at the Gisborne International Music Competition in community-focused activities each year, and has been Head of Community Engagement for the Christchurch Symphony Orchestra.
Cathy has also adjudicated at the Christchurch Competitions and CSM's May Music Festival, and given presentations and workshops at conferences for MENZA, the NZ School of Modern Music and IRMT.
CDs
Concert Review
...Irons played the Handel in Baroque style then switched effortlessly into modern technique for the Kreisler. In a term, her playing was jaw-dropping, her musicianship and mastery of her lovely instrument defying any other description. Gasps of “wow” could be heard from the audience as this duo turned on sonic fireworks that dazzled all with their brilliance – in a venue that proved ideal for recitals of this nature...John Williams’ Theme from Schindler’s List is to my mind a profoundly sacred work, and was treated as such by this duo, with Irons’ violin line hovering contemplatively over the piano accompaniment. The silence maintained by the audience for some time after the closing notes died away speaks for itself...
- The Guardian